Just got back from seeing V for Vendetta, finally. I think this makes up for the latter two-thirds of the Matrix trilogy. And, since I rediscovered Peter's Friends the other night (and half the cast has gone on to do Harry Potter roles), it's unofficially Stephen Fry week. Should be a holiday.
.
From:
no subject
From:
no subject
From:
no subject
The note? Perfectly intact. That was the deal-breaker for me.
From:
no subject
From:
no subject
From:
no subject
From:
no subject
And Hugo is still my movie boyfriend. <3 Even though they really shouldn't have gone for the whole "kiss the mask" thing there at the end, I thought. I felt sorry for Finch, that he didn't figure out who he was talking to at the momument ... "Don't you recognize that voice?! Stupid."
From:
no subject
omg YES.
From:
no subject
It did scream for a Hollywood moment, didn't it?
I felt sorry for Finch, that he didn't figure out who he was talking to at the momument ...
Not giving V enough credit...hell, I figured the silhouette would've given it away.
Of course, I recognized Hugo in...well, in a few too-many scenes, and that's all I'll say.
From:
no subject
The novels are pretty good as well, and I picked up the history of classical music, which was funny, for
From:
no subject
From:
no subject
And he's had me since he was Lord Melchard.
From:
no subject
On a positive note, I finished my first Firefly DVD disc and got the second one in yesterday's mail. Very enjoyable and I'm looking forward to the remaining discs.
From:
no subject
As opposed to the artist saying it's about as close to being a perfect adaptation as a movie can be?
Alan Moore has an ego the size of Texas; some of his stories may be truly excellent, but I'd take anything he says when he's throwing one of his famous hissy-fits with a grain of salt.
From:
no subject
I don't blame Moore for being appalled for what happened to LXG. And, you know, after that, I know that any compromise is probably going to be seen as too much to him -- I don't blame him for being gunshy and wanting nothing of the Hollywood "creative" process (Jon Peters on Superman Returns, anyone?). But Lloyd's actually right -- there aren't many compromises made here. There are a few cringeworthy modifications, but otherwise, it's spot on.
Alan Moore's ego, on anyone else, would just be infuriating. But, sadly, nobody's done more for the field of illustrated narrative in the last quarter-century than Alan Moore.
Pray for the soul of Watchmen.
From:
Jumping to connections....
I must state that if people SEE a connection between what the movie portrays and Bush, a connection MUST exist. I'm not saying that every activity (take government spying on individuals for example) has a one-to-one relationship between the movie and real life, BUT - I am saying that if you make that connection, you see a pattern, and you have a reaction to that visualization. Your individual reaction to that visualization shows a facet of YOU, not of the movie. Movies show us images, WE interpret those images.
I can't understand why an individual would take someone else's opinion ("reviews panning it") rather than forming his/her own opinion. I generally judge movies for myself - I watch the trailers, read the synopsis and figure out if it is something that I would want to watch. After seeing this movie, I did go look at reviews, and I have seen a great number of reviews which praised the movie and the actors' performances.
That being said, I personally enjoyed the movie first because it was a great action flick and second because, DESPITE being a great action flick, it made me actually stop and think about great moral, ethical, spiritual, and physical issues which are affecting the US and affecting me personally. V's reactions to those issues were on an extreme end of the spectrum for effect. The inaction of the majority which was sparked into action by what he did was more powerful to watch than the ONE bombing and ONE hostage situation he commits. I hope that in real life it doesn't take extreme action to cause awareness.