After thumbing through some more reviews (especially some of the expectations and assumptions of the negatives) and spoilers, I'm no longer considering The Dark Knight an outside possibility for Oscars.
No, I don't think that possibility is outside anymore. I think that Ledger's work will be good enough to insure him the nomination, and the combination of that work and the sentimentality of the Academy will win it for him. Though I'm still hearing good stuff about Revolutionary Road and it has the sheen of your typical late-season Oscar runner, I don't see Ledger not winning. And if the film holds together half as well as the (admittedly bordering-on-hyperbole) reviews indicated, don't see any reason this film stops at one win.
No, I don't think that possibility is outside anymore. I think that Ledger's work will be good enough to insure him the nomination, and the combination of that work and the sentimentality of the Academy will win it for him. Though I'm still hearing good stuff about Revolutionary Road and it has the sheen of your typical late-season Oscar runner, I don't see Ledger not winning. And if the film holds together half as well as the (admittedly bordering-on-hyperbole) reviews indicated, don't see any reason this film stops at one win.
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That being said, I'm going to go see his last film, because between the excellent cast and Terry Gilliam directing, I think it'll be quite the show.
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Hoffman's Capote was perfect, agreed -- though if you haven't seen Neil Simon's Murder By Death you really really should. Truman Capote, Peter Sellers, Alec Guinness, Peter Falk, David Niven, Maggie Smith, James Cromwell...it's fantastic. Stupid silly fun, but no less fantastic for it. More than a bit un-PC, but it makes me smile just thinking about it. "Answer simple, but question very hard."
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